{"id":623,"date":"2017-05-05T18:17:51","date_gmt":"2017-05-05T16:17:51","guid":{"rendered":"http:\/\/scaasr.ro\/?p=623\/"},"modified":"2021-10-28T17:43:29","modified_gmt":"2021-10-28T15:43:29","slug":"brancoveanu-si-ivireanul","status":"publish","type":"post","link":"https:\/\/scaasr.ro\/en\/brancoveanu-si-ivireanul\/","title":{"rendered":"BR\u00c2NCOVEANU and IVIREANUL - Theatrical event"},"content":{"rendered":"

Theatrical event: BR\u00c2NCOVEANU and IVIREANUL
\nLove of Church and Nation<\/strong><\/p>\n

Special show, Thursday, May 4, 2017, 19:00 - Metropolis Theater<\/p>\n

 <\/p>\n

The suite of cultural events organized under the auspices of the Supreme Council of the RSAA in Romania added a new experience, a new experience: the theatrical transposition of a dramatic text written by Priest Bogdan-Aurel Teleanu - a text that enjoys the High Blessing of His Beatitude Patriarch Daniel.<\/p>\n

 <\/p>\n

Difficult in vastness and depth, the theme of the play was structured - in the form of an allegory - by three "epic knots": the relationship between Lord and Metropolitan, symbolizing the "symphony" between State and Church (or, in Guenonian terms, between temporal power and authority spiritual); the domination of the ruler, following a "cabal" set up by his opponents Cantacuzini; the martyrdom of Br\u00e2ncoveanu and his sons - with a significant emphasis on the refusal of the "devilish temptation" to renounce his right faith.<\/p>\n

 <\/p>\n

Everything, in an allegorical key, in an alert rhythm - with the inspired utterance of some \u201ctirades\u201d (nothing derogatory, in this word) focused on the love of Nation and Church\u2026 Love that motivates, explains and crowns the martyrdom of Br\u00e2ncoveni, as well as the murder of the great Metropolitan.<\/p>\n

 <\/p>\n

Let's not forget the civilizing function of the two - exercised in the first two decades of the 18th century: through its foundations, in Hurez, in Mogo\u0219oaia, in Potlogi, Br\u00e2ncoveanu outlined an epoch and gave voice to a "Romanian style" in architecture. weather; as, beyond the protection of their immediate functionality, the sermons of Ivirean foreshadowed the great Romanian literature of the second half of the next century.<\/p>\n

 <\/p>\n

Damian Victor Oancea, Ovidiu Cuncea, Dana Rusu, Magda Catone, Tiberiu P\u0103un, Ana Calciu, Mihai Coada, Bogdan Iacob, Alexandru Ionescu (in a completely random order, here) are the ones who gave "body and soul" to the characters of the drama , directed by Ivona Boitan; decoration and costumes: Ileana Zirra.<\/p>\n

 <\/p>\n

Flowing naturally from one to the other, the three "epic sequences" of the plot consisted of a show that, in the end, was applauded standing by those present: members of our Rite, accompanied (some) by their ladies.<\/p>\n

 <\/p>\n

Illustrating a convergent idea of the show, in the foyer of the theater is exposed the model of a possible sculptural ensemble: The Ivirean and the martyrs of Br\u00e2ncoveni<\/strong> - proposal belonging to our Brother R\u0103zvan-Paul Mih\u0103escu, grade 9, with a rich plastic activity (graphics, painting, sculpture) well appreciated by connoisseurs.<\/p>\n

 <\/p>\n\n\t\t